Looks like Michael Moore has another hit on his hands with Farenheit 9/11, an oh-so controversial look at the events of September 11, 2001. ‘Blame the right’ is no doubt the cry. The film, dropped like a hot potato by Miramax initially, has gained a modicum of acceptance with it’s Palme d’Or win at Cannes and is currently beating distribution offers off with a stick. It will be a success, for sure, but I doubt it’s ‘accuracy’ even before seeing it.

Michael Moore serves two purposes. As a voice for the often ignored leftwing ‘bush-did-it’ psychos and self-agrandizement. I have no qualms about predicting his usual heavy handed, often over the top editing style again in this piece. As well, I bet we’ll see a lot of his face as well. You’re not much of a documentarian if you have to stick your self in every scene. It’s about the subject, not you ya twit.

His tackling the subject of 9/11 should be interesting, to say the least. But doesn’t his making money from the events of that day smacck of a bit of scumbag-ism? I’m just throwing it out there.